MAX MAGNUS NORMANS VISIONER:
Assassiner och röda rummet

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Klicka på bilden för att förstora den.
Klicka för att förstora bilden / tavlan / målningen ASSASSIN

ASSASSIN

2002
18 X 23 cm
Olja och akryl på pannå, fernissad högblank
Såld eller ej tillgänglig. Klicka för info.

En väl kamouflerad assassin, kanske en robot, lämnar ett fort på en kulle bakom sig och beger sig in i skogen efter utfört uppdrag.

Kommentera

Vad som yttrats om denna:

  • Postad av: CCT 2006-10-02
      Intense. At first glance, this could be a spirit of the woods, patroling his patch, but the title leads off in another direction and suddenly it becomes, not an image of calm, but an image of dark reality. Subtle use of the blue and red in an otherwise very green picture.
  • Postad av: ZINKA 2007-05-22
      It shows that even the most peaceful scene can be deformed by violence.
  • Postad av: jenny 2007-07-04
      haha, var får du allt ifrån?
    Klicka på bilden för att förstora den.
    Klicka för att förstora bilden / tavlan / målningen ASSASSIN bilden / tavlan / målningen OBESLUTSAMME HERRN

    OBESLUTSAMME HERRN

    2000
    40 X 25 cm
    Olja och akryl på pannå, fernissad högblank
    Såld eller ej tillgänglig. Klicka för info.

      

    Möte i röda rummet.

    Detalj

    Kommentera

    Vad som yttrats om denna:

  • Postad av: Russell 2006-11-28
      Wow! Here's a man stuck in his misery and a woman minding her own business. And so much red; red shading washing all over the red headed woman in the red room, Red for anger? for passion? for blood? is it her's? is it his?, or both of theirs' intermixed? The woman has a secret admirer: a dog..no it's a WOLF! But it's not showng its teeth, just being loyal and quiet, while watchful, dignified and handsome. With a pet like that no wonder the man feels cut out. Its so ambigous, and simutaneously warm and fuzzy, I love it!
  • Postad av: Todd 2007-11-21
      Well, they are alone at last and he wants to go over and talk to her. But he is too afraid of being rejected. She wants him too, but she needs him to make the first move. She is so lonely. And she knows that if he doesn't find the strength to move, this could be their last chance. She thinks of a future alone without love. But she finds comfort in knowing that she always has her dog for companionship. She pets the dog and it is content and unaware of the hot red pain that consumes her. And still the man sits, unable to move even though the hot red pain consumes him too.

      At least, that is the way I see it. Another very intriguing painting.
     
      




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